Fighting Gender-Based Violence With Feminist Art Pedagogy A Co-Choreography Between Teacher, Students, and Anonymous Activists

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Annik Bilodeau
Ariane Wilson

Abstract

Activist groups like No Estamos Todas (NET) leverage social media to share art memorializing feminicide victims. While analyzing NET’s social media posts for patterns in representations of victims, we noticed contributions starting in 2017 from middle schoolers in Illinois. The way these artworks focus on victims’ lives led us to explore a collaboration between NET, these students, and their teacher. Through a feminist pedagogical analysis of the project, we argue that the students engage in recognition-based gender justice. We provide guidelines for implementation and pedagogical approaches, hoping to inspire teachers to recognize students as agents of change.


Keywords: Art Teaching; Gender-Based Violence; Feminist Pedagogy

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How to Cite
Bilodeau, A., & Wilson, A. (2025). Fighting Gender-Based Violence With Feminist Art Pedagogy: A Co-Choreography Between Teacher, Students, and Anonymous Activists. The Canadian Review of Art Education, 51(1), 23–41. https://doi.org/10.26443/crae.v51i1.1372
Section
Articles
Author Biographies

Annik Bilodeau, University of Waterloo

Annik Bilodeau is an educational developer and researcher at the Centre for Teaching Excellence and an Adjunct Professor in the Department of Spanish and Latin American Studies at the University of Waterloo (Ontario). She obtained her PhD in Spanish (2016) from the University of Ottawa, studying Spanish American narrative and its integration in second language teaching, as well as the evolution of cosmopolitanism thought in Mexican and Peruvian contemporary literature.

She is the author of two monographs: Belonging Beyond Borders: Cosmopolitan Affiliations in Contemporary Spanish American Literature (University of Calgary Press, 2021), which traces the evolution from aesthetic cosmopolitanism through anti-colonial nationalism to modern political cosmopolitanism in the works of Elena Poniatowka, Mario Vargas Llosa, and Jorge Volpi; and Pasting Up Protest: The Art of Memorializing Violence in Mexican Printmaking (McGill-Queens University Press, forthcoming November 2025), which explores the sociopolitical engagement of contemporary Mexican street artists and printmakers, and examines the role of art in creating public memory.

She is currently researching feminist street art and activism about gender-based violence and reproductive rights in Mexico, Chile, and Argentina (SSHRC Insight Grant, 2022-2027). Her research interests also include foreign language reading anxiety, collaborative learning, and feminist pedagogies.

Ariane Wilson, University of Waterloo

Ariane Wilson is a transdisciplinary artist and researcher in her 5 to 9, and a public engagement professional in her 9 to 5 at a Canadian gender justice non-profit organization. She specialized in Collaborative Design while completing a Bachelor of Knowledge Integration (2021) at the University of Waterloo (Ontario) with a Fine Arts Studio Minor and a Spanish Language II Diploma. In the spring of 2021, she was awarded the University of Waterloo’s Angus Kerr-Lawson Essay Prize in Philosophy for her paper, Quantum Bayesianism – Embracing Subjectivity in Science, which explores how a philosophical interpretation of quantum mechanics tells us that welcoming subjectivity in empirical science could give rise to scientific progress.

Since 2019, she has been researching how public art can bolster social movements protesting gender-based violence in Latin America, working closely with Dr. Annik Bilodeau on several projects, including the literature review for her book, Pasting up Protest – The Art of Memorializing Violence in Mexican Printmaking (McGill-Queen’s University Press, forthcoming November 2025). Currently, she is assisting Dr. Bilodeau with her research on feminist street art and activism about gender-based violence and reproductive rights in Mexico, Chile, and Argentina (SSHRC Insight Grant, 2022-2027).

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